To help us survive, President Biden, VP Harris, the Biden Adm & our security agencies must speak to our ancient inner human, who can’t understand 21st century language, that the Russian Mafia is working to seat Mr. Trump to slaughter us

To help us survive, President Biden, VP Harris, the Biden Adm & our security agencies must speak to our inner human, who is ancient and can’t understand 21^st century language. That being understands dominant-subordinate language only, so that’s the language our leaders must use. If our authority figures don’t use their position of authority to warn us, the Russian Mafia will slaughter us.

Our leaders must say publicly:

“Putin and the Russian Mafia are working a coup-genocide against Americans using former President Trump by trying to install him into our Presidency in order to seize control of our nation. If Americans are influenced &/or forced to vote for him, the Russian Mafia will use him to destroy our government, and to slaughter everyone in America.” Our leaders must also say: “please use your vote as a defensive weapon against the Russian Mafia’s 2024 coup-genocide. Please don’t physically or verbally attack Mr. Trump. He is a weapon of Putin and the Russian Mafia but it is Putin and the Russian Mafia who are the real threat to our survival.”

 As an aside, look at the Israeli government. For decades the Russian Mafia has covertly terrorized them using Iran, Hezbollah, Hamas, assorted criminals and enemy governments. Now, petrified and surrounded, some of their government officials compromised by the Russian Mafia, the Israeli government is firing on every enemy the Russian Mafia puts before them, completely missing their true enemy, the Russian Mafia. The Russian Mafia is watching the Israeli people exhaust themselves and become demoralized by the increasing number of groups who hate them and want to kill them, and some of them loathe the constant bombing of the Palestinians. The Russian Mafia works a Divide & Conquer strategy so they’re loving this.

The Russian Mafia has manipulated the Israeli government so thoroughly individuals in the Israeli government believe the Russian Mafia is helping them. Individuals in the Israeli government is helping the Russian Mafia install former President Trump. If Americans let that happen, the Russian Mafia will slaughter us. Once the Russian Mafia has their hooks into you, it’s over for the targeted government. Death is preferable. Exhibit A is Palestinian, Lebanese, Ukrainian, Haitian and Sudanese people. Tens of millions of innocent the Russian Mafia is using for cannon fodder because the Russian Mafia demands world dominance at any cost that leaves them standing.

We can’t afford to allow the Russian Mafia to seat Mr. Trump into our Presidency. We’ll become another version of innocent Palestinians and Lebanese who the Russian Mafia made defenseless and who they’re now using as blood pawns to slaughter innocent Americans. We see the Russian Mafia and it’s unacceptable that we let them destroy us. The horror of the Russian Mafia is not only do they intend to annihilate everyone in America, they’ve destabilized our climate and we’ve no idea how to fix it. The Russian Mafia isn’t trying to annihilate Palestinians or Lebanese. They’re using the blood of Palestinian and Lebanese children to generate photo ops to manipulate swing voters in America into not voting for Harris-Walz. If they can convince enough people, through sympathy for bombed Palestinians and Lebanese, Americans who refuse to vote for Harris may find themselves murdered by the Russian Mafia’s proxies in America and their loved ones in Palestine and Lebanon are alive. Again. The Russian Mafia are using the blood of innocent people to manipulate swing voters in America. Our government has so far prevented the deaths and injuries of Palestinians in Gaza to less than 5% of the population. The Russian Mafia factored our helping Palestinian people into their calculus. My people, we must destroy the Russian Mafia. They’re a real problem not just for Americans and our allies but also for ordinary people the world over.

We see our enemy and our enemy intends to slaughter us. We’ve tried to work with the Russian-Mafia controlled Israeli government. We’re three weeks away from our election and our excellent Vice President isn’t way ahead in the polls. So we must fight a different way. Our leaders must tell us point-blank not to vote for former President Trump and why. Also, we must produce videos that can reach our inner, ancient selves. Below is how we do that. My prayers are with my people, with Palestinians and Lebanese civilians, with Ukrainian civilians, Haitian civilians, Sudanese civilians and tens of millions of people worldwide the Russian Mafia is covertly attacking using proxies. No human being deserves what the Russian Mafia is doing. They intend to win. To survive they’ll be a hot war. I’m sorry. I can’t control the Russian Mafia. They’re determined to seize world dominance.

Our authority figures must talk to us warning us about the Russian Mafia in language that is simple and plain. Our authority figures must speak some variation of what I quoted above because it is what our inner human understands. Key is the authority figure’s status and their warning of a non-overt threat. All humans alive today are hardwired to listen to authority figures when they warn of non-overt threats. Ordinary people don’t see the threat the Russian Mafia poses and how they’ve covertly attacked our nation because the Russian Mafia and before them the Soviet Union hid their attacks from our people and our government. The Russian Mafia is now so successful it’s obvious to most governments who aren’t compromised that our species has a very serious problem and that problem’s name is the Russian Mafia.

We must enlist all authority figures willing to publicly link former President Trump to the Russian Mafia. Hopefully, present and former Presidents and Vice Presidents, any uncompromised individual of note in our society, including non-politicians will speak to warn our nation. A reason the Soviet Union and Russian Mafia covertly assassinated so many high value artists like Prince, Whitney Houston, Donny Hathaway, Michael Jackson, Curtis Mayfield, DMX, Carrie Fisher, Tupac Shakur, Elvis Presley, Sam Cooke, Marvin Gaye, etc. is because even as 80 and 90+ year olds, they would’ve worked with the Democratic Party to persuade swing voters to vote for Vice President Harris. Those artists would’ve responded to the Democratic Party’s SOS, even if they were Republican. Former President Carter is still alive. I’m positive he’s holding on to see if his people survive the Russian Mafia’s attack. He’s rooting for us.

 Another thing we must do, perhaps even before our authority figures begin saying Mr. Trump is a weapon of the Russian Mafia, is to create a series of brief, inexpensive videos, unknown actors is fine, and begin showing them 24/7 in swing states, and nationwide.

 The videos will be vignettes designed to talk to our inner ancient human. Star Wars a New Hope, the first half hour, demonstrates the structure we need. Look at how Aunt Beru, Uncle Owen, Luke, the droids and the Jawas are established in the story. Groups of dominants and subordinates told in a way that our inner human understands.

Tips on how to write the vignettes:

Mr. Lucas established believable dominants and subordinates. In stories, dominants and subordinates are defined by what they do. Dominants physically control subordinates &/or cause subordinates to alter their behavior.

In Star Wars: a New Hope, about 15 minutes into the story, off-camera a woman calls Luke and a teenager we see heading towards the Jawas and droids with a slightly limping middle-age man veers off to run towards the sound of her voice. In stories, subordinates are characters who are told by dominant characters what they should do by do. Dominants are characters who tell other characters, known as subordinates, what to do. Subordinates in stories know they’re subordinate even though they don’t think about it that way. A writer must create opportunities for a character to show whether they are a subordinate or dominant. Our inner ancient human knows dominant-subordinate language. It is human’s first language, learned before we can speak words, learned from birth.

Watching Luke as he walks towards the Jawas, then watching him alter course in response to another character’s call looks unimportant but it’s important. Getting a character to adjust their behavior in response to another character is a marker that the adjuster may be a subordinate. Despite appearances that a dominant character is the most important in a story, for our ancient selves, who began our lives as subordinates, it’s the subordinate character who represents us in the story. Unless a story has that character, it can’t speak to our ancient self. Luke is a young person in the care of his much older aunt and uncle. With respect to them, he’s a subordinate. The audience doesn’t know it at this point in the story but Luke knows it and his aunt and uncle know it. Subordinates are dependent. They know they are dependent. To show the audience Luke’s subordinate status, the writer has Luke immediately respond to his aunt’s call. Other cues he’s a subordinate include his youth relative to his middle-aged aunt and uncle, and his plain clothing.

We learn the teen’s name is Luke because he runs to the woman calling that name. He leans a little over the edge and looks down into a big hole. We see a middle age woman looking up at him calling to him from a subterranean .homestead. He listens attentively. She says: “tell uncle if he buys a translator be sure it speaks bache.” Luke nods, speaks a few words saying there’s not much of a selection, but that he’ll remind his uncle, then he returns to assess the droids.

By age, appearance and soft order George Lucas establishes Beru as wife and co-owner of the homestead. Because she’s a woman and our inner human knows most women don’t have equal status to men, Lucas has her frame her order as a request. Beru knows she doesn’t have the status her husband does. Her orders reflect her awareness of her relatively lower status. She says to Luke, a teenager in her care, “tell Uncle….” This is an order. But her tone and the way she calls his name (“Luuuke”) changes her order into a request. This was a deliberate choice by George Lucas meant to trick our inner ancient human into believing the fictional Star Wars works with the same rules as our human world. Mr. Lucas went out of his way to make sure characters behave the way humans would in similar circumstances. His storytelling strategy is one of the reasons this movie is one of the most popular in American cinema.

Our inner ancient human is well aware women are usually lower status than men in our species and have heard women negotiate this reality their entire lives by downplaying their status to ensure men don’t feel threatened. Had Beru phrased her orders as brusquely as Owen does (he’s rude to the enslaved C3PO), our inner human wouldn’t have accepted Luke as a subordinate because a rudely dominant Beru, given her age, appearance and job of farmer’s wife and farm cook would have made no sense to the audience. Beru is Luke’s aunt, not his step-mother. We would’ve accepted her rudeness to Luke if Lucas inserted it but the story wouldn’t have made sense and the audience would’ve stayed outside the story, wouldn’t have bonded emotionally with Luke. George Lucas intended us to accept Star Wars as emotionally true so he built bridges between the story and human behavior even children would access and recognize as true. Teenagers were Star War’s intended audience. A woman being especially kind to a boy she doesn’t want to feel threatened is something many people have witnessed.

In less than a minute of screen time George Lucas begins to establish a dominate/subordinate structure in a fictional family that’s recognizable to our inner ancient human. Lucas tells his story in the first language people learn: dominant/subordinate. Most writers don’t know how to do that. Luke is ordered by Beru to complete a task (“tell Uncle...”). Being ordered to perform a task, and verbally acquiescing, is indicative of subordinate status. Responding promptly when a character calls you is a sign of subordinate status. Writers authoring vignettes for Vice President Harris’ campaign must know this, know how to do this, and what it means. The soft way Beru frames her order is more proof that Star Wars is a “true story” (even though it’s fiction). Most women have lower status than men and some men don’t like when women have more wealth, property, fame, status, etc. than they do. Many women, especially women of a certain age, frame their orders as requests to minimize unwanted conflict. As a middle age wife and property owner, Beru knows this and has adapted to that reality. Luke doesn’t know why she’s sweet to him, he just appreciates her kindness. Because she issues her orders without being heavy-handed, the audience never questions why Luke ran to her when she called him, or ran back to the homestead when he and Obi-wan found the dead Jawas. Audiences think backwards and forwards in stories. Story logic must hold firm even after the story ends.

The Luke/Beru sequence functions as a “you are here” sign to our inner ancient human. A teenager subordinate to a middle-aged woman is normal worldwide in our species. The audience knows to pay attention to Aunt Beru because Lucas introduces her as dominant to Luke, and Owen as a dominant. He did that so the audience wouldn’t anticipate Luke as the story’s hero before Lucas wanted us to know. He uses low status to hide his hero.

Because of her high status, our inner human listened to Aunt Beru when she told her husband Luke wasn’t a farmer, that he has too much of his father in him. We didn’t know what she meant, but we paid attention to her words because she was introduced as a dominant in the story. Dominants get our attention, we’ve evolved to listen to dominants. The Russian Mafia knows that and is working to convince our leaders that no matter what they say, civilians won’t believe them. That’s a lie. Americans are waiting for our leaders to tell us simply and directly what’s going on.

Luke is established as a subordinate to his uncle, but a subordinate of value. When Luke points out the just purchased R2 unit is defective, identifying the malfunctioning part without even dismantling the machine, his uncle doesn’t challenge his assessment but immediately accepts it and lodges protests with the seller. Buyer/seller disputes are known the world over. This is another link between Star Wars and real world human behavior. Despite it’s fantastical eye candy, Star Wars feels like an emotionally true story.

George Lucas pushed hard to establish Owen as the family’s dominant, which in 1977 was normal for our species. His sex, age, his weathered appearance and brusque manner, the fact that sellers came to him offering their wares, that he’s a property owner with a wife and enough money to pay for robots, Owen’s confidence in his position (neither his wife or nephew is challenging his authority), convince the audience that Star Wars felt “true” and that Luke wasn’t going anywhere soon if his uncle had anything to say about it. This is crucially important because Lucas didn’t want the audience to have any idea Luke was the hero. Audiences were stunned by the plot when it first came out. They loved it.

Owen doesn’t bother being polite to the Jawas. The Jawas have been established as dominants but are significantly smaller than humans. Although they’re predators, they seem to have no interest in attacking Owen or his homestead. I didn’t’ see Owen wearing a weapon. Jawas had shot, kidnapped and physically threatened the droids, but some of them ran from Luke as he approached. Lucas showed that just as there are predator hierarchies in real life, it was the same in the fictional Star Wars. Every place he could, Lucas made Star Wars similar to human life to make Star Wars feel believable.

Because the Jawas kidnapped, shot and threatened them, the droids wanted to be shod of them. Lucas made sure to show how the Jawas threatened and attacked the robots so C3POs determined attempt to get himself and R2 sold to the farm family made sense. Lucas is good at providing explanations for character motivation before the audience needs it. The Jawas had weapons and weren’t afraid to use them but to Owen, they showed their businessman side not their “I’ll kidnap you & shoot you side.”

In a demonstrably dog-eat-dog-world, Owen towering over them was an explanation as to why the Jawas didn’t attack Owen and his family. Owen bought slave-machines, R2 and C3PO. Because Owen unknowingly bought slaves and refused to return them to their rightful owner when he learned they had been stolen, he died because of the choice he made. Luke told him the droids belonged to somebody else but Owen refused to listen. Generally, Owen refused to listen to his nephew and his wife. He was especially rude to C3PO, second rudest to the Jawas, but he treated his wife and his nephew decently.

Slaveowner Owen - there is no relationship more unequal than owner and slave. C3PO was a slave, Owen bought him and was unnecessarily rude to him. When Owen told C3PO to shut up, C3PO said “shutting up sir.” George Lucas was determined the audience view Owen as the farm’s dominant character so that when Owen told Luke he couldn’t leave to attend school, the audience expected Luke to spend the rest of the film on his uncle and aunt’s farm.

Owen wasn’t evil but he was selfish. He was in the movie maybe five to ten minutes and his character’s job was to convince the audience that he was top dog and that Luke wasn’t the story’s hero. His wife and his nephew tried to persuade him into seeing their point of view but he wasn’t having any. He walked with a limp, a brilliant idea because it, along with his weathered face and age suggested he wasn’t in the best health and wouldn’t let his nephew go to school because Owen couldn’t run the farm on his own. That, and the fact that his wife and nephew didn’t fear him helped the audience not loathe him. Owen is set in his ways, and getting too old to manage his homestead without a farm hand.

As he had with Beru, Lucas established Owen as dominant over Luke by having Owen constrain Luke’s choices and behavior. Luke willingly altered course on Beru’s call but protested his Uncle’s restrictions. He’d planned to go into town to buy something but his uncle told him “you can waste time with your friends when your chores are done,” something teens the world over have heard from parents. Luke grimaced slightly but acquiesced. His voice gruff with annoyance he told the R2 unit he was told he needed to clean before supper to come on. Although Luke indicated with a hand motion to C3PO to stop his sale’s pitch (to get Luke to buy R2), Luke wasn’t rude to C3PO, treated him courteously, a major contrast to how Owen treated C3PO. How dominants treat subordinates is hugely important in stories. Villains are rude to subordinates, and often kill them. By writing Owen as rude to the enslaved C3PO, Lucas used story shorthand to tell the audience Owen isn’t to be trusted. So in vignettes written for Vice President Harris dominant characters won’t mistreat subordinates then turn to the camera to tell Americans they shouldn’t vote for former President Trump. Our ancient inner human will ignore such a character. A writer must know that.

To demonstrate Owen’s dominance over Luke, Lucas had Owen (1) nix Luke’s intention to go to town to run an errand, (2) nix, not for the first time, Luke’s stated desire to leave the farm to go to school, and (3) ignore Luke’s intel that the droids had been stolen and belonged to Obi-wan.

Owen was the homestead’s dominant but Lucas established his dominance with four different entities: C3PO, the Jawas, Luke and Beru. He was rude to C3PO, gruff with the Jawas, confining but not really mean to Luke, and decent to Beru. He was the sort of man who if he found a wallet with money inside and a person’s ID wouldn’t try to return it. He said he kept Luke temporarily from leaving the farm to go to school because he needed his help. Because he was rude to C3PO, a harmless slave, the audience was disinclined to trust him. To Beru he wasn’t affectionate, but he wasn’t cruel. She felt able to discuss her concerns about Luke with him, but he didn’t change his position despite her concerns.

Regarding Luke, he refused to allow him to go into town when Luke wanted to and he “temporarily” prevented Luke from leaving the farm to go to school. His wife and nephew felt able to protest his decisions but their protests didn’t change his mind. He wasn’t physically or emotionally abusive. He had an Owen-centered world view. Although he cared about his wife and nephew, he probably believed he was serving their interests by prioritizing the farm.

Like Beru, Lucas established Owen as a dominant relative to Luke by having him direct and control Luke’s choices and behavior: by not allowing him to run an errand when he wanted to and not letting him go to school. Luke acquiesced but he wasn’t happy about it.

The family lived together. The couple was significantly older than Luke and functioned as his guardians. They fed and clothed him. He was well fed and adequately clothed. They didn’t physically or psychologically abuse him. Beru was kind to him and Owen wasn’t mean to him. Their dominance over him was normal given the age of Luke and his guardians. Luke did as he was told as kids do the world over. Beru told him what to do in ways that didn’t upset him nor did she ask him to do things he didn’t want to do. For Luke she was the perfect guardian, wanting him to be happy and willing to let him go to school. Even her orders to him were gentle. Owen controlled Luke’s choices: his orders were detrimental to Luke’s quality of life. Beru spoke up for Luke but she wasn’t willing to rock the boat of her marriage to insist Owen let Luke leave the farm to attend school. Owen and Beru were unethical but in different ways. Owen put himself and his farm first, before the needs of his loved ones. Beru tried to change Owen’s mind but she wouldn’t countermand him, meaning his wife wouldn’t help him self-correct when he was wrong. Luke is the definition of a good kid in a story: sensible, hardworking, kind. He was good with machines.

Based on what I learned by assessing Lucas’ presentations of dominant parental figures in Star Wars, control over another character’s behavior is the tell that a character is a dominant in a film story. Both the dominant and the subordinate must behave as if the character giving the order is behaving in an acceptable and previously established way. The character obeying or acquiescing to the order is the subordinate in the dominant-subordinate relationship and must verbally acquiesce to the order or they aren’t a subordinate. In the type of vignette that must be quickly written and produced by Vice President Harris’ presidential campaign, both a dominant and a subordinate must be established in the vignette. After that the dominant must warn the viewer about the dangers of voting for former President Trump.

It’s essential that writers know how to write a dominant-subordinate-based story. It’s essential the writers understand that our inner human won’t accept a vignette that doesn’t include a believable subordinate. People are born into our species and learn dominant-subordinate behavior from birth. Dominant-subordinate is our first language. We’re all born subordinates, and we’re all expert at recognizing subordinates and dominants. Writing a dominant character isn’t enough of an argument for our ancient inner human: a believable subordinate character be introduced to match the dominant. 

A subordinate may be a willing or unwilling to obey an order but to be a subordinate in a story, the character must verbally agree to do as ordered, otherwise the story has no subordinate. Without a subordinate, the dominant doesn’t exist for our ancient inner human. In vignettes to help VP Harris get elected, it’s not enough to have a character give orders. The dominant character must expect their orders to be obeyed. The subordinate can casually agree to follow the order, as if it’s one in a long line of previous orders, or the subordinate can protest the order, but for them to be a subordinate in the story, they must acquiesce to the order. Even when orders aren’t welcome, as when Owen told Luke he couldn’t go to town to run his errand, or that he couldn’t leave the farm to go to school, the subordinate must agree to the order or the story has no subordinate. Without a subordinate in a story, there’s no dominant for our ancient inner human. I’m talking about a specific type of story, one featuring a dominant-subordinate relationship. That’s the language our inner human, who is ancient and who evolved long ago, understand.

If our ancient inner human could decipher modern human-speak, Vice President Harris would be way ahead in the polls. President Biden wouldn’t have had to stop his campaign. Our inner human must be talked to to trigger our self-defense, and in a story it can only be triggered by a dominant-subordinate interaction. In real life, our authority figures telling us point-blank in plain language what the hidden threat is gets our attention. Vice President Harris’ campaign must quickly produce videos to talk to our inner human.

In a dominant-subordinate relationship you’d think the dominant is the most important component in a story but that’s not the case for our inner ancient human. Our inner human assesses the combined dominant-subordinate interaction because we’re born into the combination. From the writer’s point of view the subordinate character must hit their story marks like a dominant character must hit their marks.

A dominant: (1) gives orders, softly or not. (2) The dominant expects their orders to be obeyed and believes their orders are reasonable under the circumstances. When Owen told Luke he couldn’t go to town because he wanted the droids cleaned up before dinner, Owen believed he was making a reasonable request. He had machines he wanted the new droids to begin working on the next day (moisture vaperators?), and the sooner Luke cleaned them up the sooner the droids could be put to work. Owen had a problem to correct on his homestead that needed the new droids’ attention. To Owen the efficient running of the homestead meant his survival and the survival of his family. For Owen, his and his family’s survival trumped Luke’s desire to see his friends, to run errands or go to school, at least for the time being. (3) The dominant must be age-appropriate relative to the subordinate, or our inner human won’t accept the story. A 10 year old supervising a 50 year old on the job would take some explaining because that’s not normal for our species. (4) Dominant’s can control the physicality of subordinates, control where they go and when. Luke was heading for the Jawas with his uncle beside him when Beru called him over. He immediately altered course in response to her call, demonstrating her dominant status relative to his. Luke planned to go into town to run errands but his uncle nixed that. Luke, not happy, but his grudging “alright” was an acquiescence, and he began engaging with C3PO. Subordinates can get around dominant’s control of their movements. Luke did by leaving the homestead before Owen got up the next day. (5) The subordinate must verbally acquiesce to the order whether grudgingly or willingly. A dominant-subordinate relationship is an unequal relationship and is most believable between parents-children, a disabled person and their caregiver, employer-employee, teacher-student, doctor-patient, landlord-renter, etc. All people are born subordinates. Our first position in life is one of less power relative to our caregivers. That is a reality all of us know. A dominant-subordinate story doesn’t exist for our ancient inner human unless the story holds a subordinate. The subordinate is the place holder for our inner ancient human.

If our inner human could understand modern cues we wouldn’t have to go through this, but our ancient selves don’t understand 21^st century human behavior so we must establish a link in order to talk to our ancient self. To help VP Harris get elected, we must establish a dominant-subordinate based story, which requires we understand how to do that. Then have that dominant talk to the audience or perhaps to the subordinate about the coup-genocide the Russian Mafia is waging to slaughter us. To establish a believable dominant-subordinate relationship in film, the dominant and subordinate must hit specific marks, some of which I’ve bolded in this blog. The audience can know the videos are meant to talk to our ancient inner human. We’re not brainwashing or tricking the voter, who has the power to override anything they disagree with. We’re trying to talk to the voter’s ancient self in the dominant-subordinate language that being understands, to trigger our ancient self into self-defense.

Obi-wan is an authority figure in Star Wars but he’s introduced entirely differently than Owen and Beru. Obi-wan comes to Luke’s rescue after Luke is attacked by the Sand People. He gifts Luke with stories about his father, and a light saber that once belonged to Luke’s father. He asks Luke to help him return the droids to the Princess or rightful owners and he accepts Luke’s decision when he declines.

The Obi-wan/Luke relationship is a friendship. When Obi-wan attempts to control Luke by telling him to wait when Luke understands his family’s farm has been attacked, Luke ignores him and races home. If Owen or Beru had told Luke to wait, Luke would’ve waited. The Luke who raced to his uncle and aunt defense is no longer a child, or he is a child only within the confines of his relationship with Owen and Beru. Obi-wan isn’t his parent or his guardian and Luke doesn’t recognize him as such. Lucas made a point of showing Luke as nonresponsive to Obi-wan’s orders.

It’s important in the story that Obi-wan is Luke’s friend, not his minder because in Act II Luke will be helping rescue the Princess, which is a hero’s duty not a child’s responsibility. At the bar, a bully attacks Luke. Obi-wan comes to his aid so Lucas can show the audience his proficiency with his weapon, which proficiency will need to be established before Obi-wan faces Vader at the end of Act II. On Han’s ship Obi-wan begins training Luke to use his light saber and how to feel and use the force. Luke gets one hands-on training session and has to stumble his way from one emergency to another for the rest of the film. Fortunately Obi-wan’s spirit is available and Luke taps into it for the final battle.

Han is not a mentor but more an irritating though needed presence because he has a ship he can fly and he’s a mercenary. Leia is rescued by the guys and works with Luke rather than against him.

Star Wars, especially the first half hour, is a great way to see the dominant-subordinate language in action. It’s the only film story I know where the first act is told in dominant-subordinate language. Vice President Harris’ campaign must create brief, inexpensive videos quickly which introduce dominant/subordinate characters and then have the actor playing the dominant warn the audience about the Russian Mafia’s coup-genocide against us. But the vignettes won’t work unless the writers and directors know what we’re aiming for. It’d be great if they could hire George Lucas. I’d volunteer working on the videos for free.

People are experts at recognizing dominant/subordinate interactions. Humans are born subordinates and begin learning dominant/subordinate language from birth. Dominant/subordinate language is the first language humans learn. Dominants are people who control a subordinate’s behavior. Luke said he’d remind his Uncle, acquiescing to his Aunt’s order/request to buy a translator who spoke bachi. Luke’s acquiescence to her order is one of the markers establishing him as a subordinate. Lucas did that because he hates when people can anticipate his stories. The way Aunt Beru phrases her order/request also matters. There is a a status difference between women and men in our species. Lucas used this discrepancy by showing how Beru navigates it.

Our inner human is sensitive to dominant/subordinate social cues, that sensitivity is hardwired into us, considered essential by natural selection and genetics developed eons ago. That sensitivity is a survival mechanism relied upon by our long dead ancestors. Our long dead ancestors survived because they obeyed status markers long before human beings evolved. Today humans don’t use status as a life or death tool like our distant ancestors did, but we have their genes, which the Russian Mafia has manipulated to destroy us. We can’t change our genes but we’re adaptable and must learn to defend ourselves from an enemy determined to slaughter us by manipulating our genetic makeup.

The Aunt Beru character, a middle-aged woman with a sweet, round face soft ordered Luke to relay a message for her. Had she ordered him without the softness, the sequence wouldn’t have worked as a “you are here,” Luke-as-subordinate marker for the audience. Most people are born into families with a female caregiver and most people know that most women currently have a status lower than most men. Luke’s response as a subordinate is equally as important to our inner human. At her call, he immediately stops walking with his Uncle and runs in the direction of her voice. He leans in to better hear her request, indicating his history of obeying her. His behavior, and hers show the audience he is a subordinate. George Lucas’ established Luke’s character as a subordinate to surprise the audience when he flips into action hero mode. Tracking his transition from subordinate to dominant is an excellent teaching tool for the type of videos Vice President Harris’ campaign needs to produce.

In these videos a dominant and a subordinate must be established within a fictionalized engagement. After the dominant/subordinate are established, the dominant must talk either to the camera and/or to the subordinate about the Russian Mafia’s coup-genocide against us and why we must not vote for former President Trump. The vignettes may have more than one subordinate but there must be at least one subordinate. A talking head won’t work for our ancient inner human, not in videos. When our authority figures speak, we’re hardwired to listen to their warnings, especially with regards to covert-threats.

Dominant’s control/direct the physical behavior of subordinates. For the audience to accept Luke as a subordinate in his family his youth matters, his appearance matters, his prompt response to his Aunt’s call matters, his verbal acquiescence to her request matters, and the same goes for his interaction with his Uncle. Luke’s verbal obedience establishes him as a subordinate: his subordinate status is essential to George Lucas’ story design. Mr. Lucas absolutely didn’t want the audience to see Luke as the hero of the story before the story’s end. I discuss these details so writers who write VP Harris’ videos know how to design dominant and subordinate characters and what our ancient inner human needs. There are beats the writer must hit for the videos to work. I’ve bolded some in this blog. It doesn’t matter that the audience knows the videos are designed to convince them to vote for Vice President Harris. Hiding our intentions isn’t necessary. These aren’t mind-control videos, viewers can ignore them. It’s necessary for the videos success that writers and actors understand what we’re trying to do.

There’s no need for famous actors, but competent ones, competent writers and competent directors are essential. The videos will establish a dominant/subordinate relationship. An example is a mother or father trying to get their five year old to go to sleep when the child isn’t sleepy. A parent or guardian trying to get their child out of a wave pool when the 8 year old doesn’t want to leave, etc. The videos will be short, under five minutes.

Mr. Trump will complain, the GOP will too. They’ll file lawsuits and take their case to the Supreme Court. But our authority figures must speak truth anyway. The compromised Supreme Court gave former President Trump the authority to label political opponents political enemies and can order them killed without fear of criminal prosecution. Current and future Presidents have that power. That law must be removed but until it is President Biden has that option. Like President Biden, I’ve no interest in assassinating anyone but also like President Biden and our Team, I’m determined that American’s survive this attack.

President Biden, Vice President Harris, Biden Administration officials with a high profile i.e. Mr. Austin, Mr. Blinken, our security officials with high profiles i.e. Mr. Garland, Mr. Burns, Ms. Haines, etc., former uncompromised government officials i.e. former Presidents (i.e. former President Carter if he feels up to it), Mrs. Clinton and other uncompromised former &/or current officials must publicly say plainly that the Russian Mafia is working a coup-genocide against us and using former President Trump to seize control of our Presidency; and that voters must not vote for him else the Russian Mafia will slaughter us. If former President Carter can speak, let’s ask him. Let’s ask former President Bush to speak this truth as well.

Authority figures are established people of note. Ordinary people like me sounding the alarm will be ignored. I’ve been warning my nation and the world for a decade but I’m a low status person to my species. Genetically, our species can’t hear me. But our species hear authority figures when they sound the alarm about a non-overt threat civilians can’t see. We’re hardwired to hear our authority figures and our authority figures must be told so they can improve our chances of survival.

The Russian Mafia is playing our leaders to make them think nothing they do will help our nation. That is a lie. The Russian Mafia are masters of psychological warfare. They can’t defeat us unless we surrender, and they know it. I know our government has a legitimate fear of multi-million people protests. We warn protesters that the Russian Mafia has entrapped unknown millions of people and that our police will be outnumbered and won’t be able to tell the difference between a Russian Mafia-controlled protester from a legitimate protesters. Asking our people to stay home will help us maintain a semblance of calm. Voters entrapped by the Russian Mafia, however, won’t be able to disobey their handlers. After our government warns our people to stay home and if protesters insist on entering the streets, our government must decide what to do. We face a horrific nightmare but we can survive if we prevent the Russian Mafia from installing a proKremlin candidate into our Presidency.

Quality authority figures are ordinary people who are overworked but who do their best anyway. They don’t feel they’re anything special but to our species, they are essential, especially in times of war. There’s a reason the Russian Mafia didn’t show themselves to the best in our government until the Biden Presidency: our Presidency is the crown jewel of our government and the most protected by our security agencies and secret service.

Our leaders must explain the threat in plain, easily understood language. Genetically humans are designed to obey authority figures warning’s about non-overt threats. The Russian Mafia knows this. Their pending coup-genocide is a non-overt threat, designed to be invisible to civilians.